If you believe...

We had a party last night and thirty guests struggled through the snow, thunder and lightning to enjoy a sup of mulled wine with us. Ladies were wearing little black dresses and colourful wellies! My husband kept the drinks cold in the outdoor fridge.

It’s the Sunday before Christmas so in church we had the usual mixture of children dressed as shepherds, special readings and video presentations about how no one knows who Jesus is any more. Our roving reporter talked to children and asked them if they could give a gift to Jesus, what would it be?

In my lifetime I have received some absolutely amazing gifts from a husband whose language of love is wonderful surprises. There was the time he presented me with a tiny toy red helicopter and announced that we were flying over the Grand Canyon for my 50th birthday, and the time I opened the door to a smartly dressed gentleman carrying a bouquet to which were attached the keys of a mini convertible – also red. One Christmas I opened a box on which was scrawled ‘Just like the song’ and inside was a dress – yes, you guessed it, red again! People often say he looks like Chris de Burgh – so that made sense at the time.

But my favourite present was two Christmases ago when he told me to close my eyes and led me through a door into my own room. My own room! I have always wanted my very own space since watching an episode of the Cosby Show. Mrs Cosby got her own room containing nothing but a phone and she chatted to her friends behind a locked door without interruption. As a busy mother of four, I often longed for a room where I could disappear, preferably without a phone, where I could read and have some me time. Well it happened! I love my room and on the wall there hangs a painting by one of our favourite artists, Paul Horten. In it a wizard dressed in a blue robe walks through deep snow towards a small two-storey house with a curved wooden door. You can’t see if it is occupied but there is a plume of blue smoke which promises a warm fire and a welcome. It’s called The Hideway and that’s what I call my room – the place where I weep, think and pray, remonstrate with myself for mistakes made and resolve to do better.

I’ll probably make my New Year’s resolutions here – no doubt the same one I made and broke last year – not to run in the corridors. I'm always in a hurry and even when I’m quiet, inside the corridors of my mind I’m still running. Today in church, our friends Nick Koch and Peter Wilson (aka Duke Special) sang Duke’s version of Silent Night. To the traditional words he added:

Here comes the noise that fills up the silence
Here come the voices who steal my peace…

It’s about to be busy – I’m going to need a hideaway when everyone gets home. That’s if they ever do. Big son, who hasn’t had great travel success this year, has given up on flying and has taken the train to Liverpool where he will board a ferry to Dublin. Long lost daughter and son-in-law are in the air between Jo’burg and Dubai and are about to discover that coming home after 18 months in Africa may not be as easy as it seems.

Snow is a theme in Horten’s work. On our 30th wedding anniversary when my husband was on tour in the US he left me another special painting. This time two children, a boy and girl hand-in-hand, trudge through a white landscape. They are passing a house and from the window the wizard is watching. The painting is called If you Believe. A very young friend told me today that it’s six sleeps till Santa. Christmas is a time to believe and hope that the adventure in the snow is not over. I love its thick silence. Perhaps it will slow us all down so that we can feel the peace.

'Did I not tell you that if you believed, you would see the glory of God?'

By the way, guess what colour the girl in the picture is wearing?

First Times

I commanded a Year 11 boy to stand looking out of the classroom window for an entire period last week. He has recently come to the school from Australia and it was snowing! I thought it would do his heart good to watch snowflakes fall for the first time. We have been reading nature poetry from the new GCSE syllabus. It’s horrific! Gone are the Binsey Poplars and the ‘host of golden daffodils’ and in their place we have living lambs with their tongues torn out by foxes and badger baiting!

We all needed our souls restored so I read them Hopkins’ Pied Beauty – an explosion of wonder for all things ‘counter, original, spare, strange’. Like GM, we used to see nature as an expression of the Creator:

Whatever is fickle, freckled…
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise him.

Now it’s like reality TV in verse: nature in all her raw cruelty.

A year ago this month my mother fell and broke her hip leading to six weeks in hospital. She died as the old year tipped into the new. This is my first Christmas without either of my parents. I think of them often. Yesterday I travelled up north through the slush to visit my father’s elderly brother and sister. I drove past the original family farm where my grandparents raised seven sons and three daughters. It sits just shy of the majestic north coast above Whiterocks. I scrambled down the hill and walked along the beach – the sand so hard that my footprints were barely visible.

I love the sea. There’s nothing like the Atlantic for rugged beauty. During years living in a landlocked country I longed for the taste of salt on my lips and the thunder of its roar. As I walked the amazing rock structures towered above me, very like the cliffs at Dover. The tide was coming in and the eager waves licked the sand, leaving blobs of white spittle bubbling at my feet. The sea breeze on my face was icy cold – invigorating.

I pictured the young Chestnutt boys playing on the beach and digging in the sand before some went off to war to fight and the others dug for victory. I thought how the waves pounded the shoreline when my father was alive and will continue to do so when I am dead. My parents are gone and I felt small and sad. I was glad of the salt spray on my face; it mingled with the tears. Thank God for poetry.

Break, break, break,
On thy cold gray stones, O Sea!
And I would that my tongue could utter
The thoughts that arise in me.

O well for the fisherman's boy,
That he shouts for his sister at play!
O well for the sailor lad,
That he sings in his boat on the bay!

And the stately ships go on
To their haven under the hill;
But O for the touch of a vanished hand,
And the sound of a voice that is still!

Break, break, break
At the foot of thy crags, O Sea!
But the tender grace of a day that is dead
Will never come back to me.

Alfred Lord Tennyson

Not Ashamed

Get the advent calendar out – the countdown to Christmas has begun! And so has the annual battle about its significance.

In the red corner we have George Carey, former Archbishop of Canterbury, speaking on behalf of Christian Concern for our Nation (CCFON) who has declared that 1st December is Not Ashamed Day and has encouraged Christians to ‘Wear their Faith with Pride this Christmas’. He says that Christians are feeling beleaguered in an increasingly secular society and need to come out and declare loudly what they believe – citing the positive influence Christianity has had in our schools, laws, hospitals and history.

In the blue corner is Christopher Hitchens, journalist, writer and polemicist who made the news this week when he met Tony Blair, a late convert to Catholicism, in a debate in Toronto. The motion was that ‘Religion is a force for good in the world’. Hitchens is a devout atheist who dared to criticise even Mother Theresa for failing to empower the very women she purported to save by denying them the means ie abortion and contraception to take control of their lives and escape poverty. In opposition, he cited the negative influence religion has had in our laws, history…

He was also interviewed for this week’s Newsnight by Jeremy Paxman where he lambasted organised religion and the notion that life has meaning or purpose, saying that the Bible, Torah and Koran are ‘depraved works of man-made fiction’.

So who cares what he thinks? I do. I was fascinated by one phrase he used: ‘We are created sick yet commanded to be well.’ This was his summary of the gospel and as someone who was a season ticket holder for gospel rallies up and down the country, I thought this was pretty accurate.

The thing is, though, Christopher Hitchens is sick – really sick. He is suffering from cancer of the oesophagus, which has already spread to the lymph nodes and the lungs. He has described life as a ‘losing struggle’ and he is almost certainly losing his. It’s always important to listen to the words of a dying man, whether you agree with him or not. He does have regrets - living a ‘bohemian and rackety life’ for one and, surprisingly, being too soft on Robert Mugabe. He said that he feels a sense of waste because he’s ‘not ready’. Paxman asked him about Pascal’s Wager – that even if you cannot prove the existence of God by reason you should live as if you have faith because if you lose, you’ll never know. To his credit, Hitchens resisted the temptation to ‘bet’ on God. He does, however, have a speech prepared for the eventuality that he will have to face a tribunal in which he appeals to the judge on the basis that he was at least honest and true to what he believed, or rather didn’t believe.

I’m with Scrooge on this. Last week we had our school play: A Christmas Carol in-the-round with angelic choristers, Victorian costumes and the young fiddler plunging his face into a bowl of porter to the amusement of everyone at Fezziwig’s Ball. Children screamed at the ghost of Jacob Marley, resplendent in chains which represent his past sins, the weight of which he is condemned to carry eternally. But why did he come back?

Hitchens feels that his untimely death will somehow betray his family and friends. Marley obviously felt the same and that he could atone for his by warning his former business partner about the fate to come. After much, ‘Bah humbug!’ Scrooge sees the light, literally coming under the door, which finally leads to his repentance, ‘reclamation’ and transformation. It’s great for teaching similes – he’s as light as a feather, as happy as an angel, as merry as a schoolboy, as giddy as a drunken man. Interestingly he also says, ‘I’m quite a baby.’ All the soul-destroying, life-sucking cynicism has left him and he is delighted to be different.

He promises to keep Christmas ‘in his heart’. Hitchens refuses to accept the words of mere mortals, as did Scrooge who could not be persuaded by his nephew. He needed a visitation. We all do. In the face of real revelation we become like children again – like a baby, because Jesus did.

Pimp my Poppy

I heard on the news this week that a student from Reading was arrested for hurling a fire extinguisher at the police during the demonstrations in London protesting against the hiking of university tuition fees. I have to admit that my son is at least in part to blame. He is a student in Reading, although thankfully not among those arrested. He was responsible, however, for inciting other students to join the protests via the university’s campus radio station. He has a slot on Monday evenings from 5.30-7.00 pm. You can catch it online at junction11.rusuhost.co.uk and go to Listen Live. The week before last I distinctly heard him issue a rallying call to his fellow students to march on the capital and exercise their democratic right (he’s doing Law) to make their voices heard. You may have seen it on TV – hundreds of young people pushing forward in a cause.

Just like at the front in WW1, on the battlefields and in the skies in WW2 and, as we speak, in Afghanistan. Young men who take up arms to defend that very freedom to speak out in protest. It’s armistice weekend and I always feel very sad when I remember those who fought and died in the war which was not so great. I am deeply moved by the sacrifice of so many local young men at the Somme in WW1 but fifty years closer to home I think of my father.

On Thursday morning, I attended a short remembrance service at the school in which I teach and watched the head boy lead a squad of young ATC cadets in a march through the assembly hall to lay a wreath. The names of past pupils who died in WW2 were read out and the Last Post sounded eerily though the corridors. I could see my father in those boys in blue and I wept as I realised that he was only fifteen when war was declared. He was working on the family farm in the townland of Ballymagarry near Whiterocks and he desperately hoped that the war wouldn’t be over before he could ‘get out there and fight’. For him the nearest ‘big smoke’ was Portrush; he’d never even been to Belfast! There was no conscription in N Ireland so young Robert volunteered in the fight against facism and went to England to train as a wireless operator. Finally, still a teenager he got his wish and flew in many bombing raids over Germany in Lancasters.

On a night-time training mission the plane in which he was flying caught fire and the command came to bale out. This young farmer’s boy sat on the edge of the black hole and made a pact with God: he promised that if he ‘got out of this’ he would become a Christian and serve God for the rest of his life. And God was listening! Dad’s boots were whipped off by the rushing air but he landed safely in his stocking soles in a ploughed field in the middle of the night. He walked to a nearby farmhouse where the people took him in and made contact with his base. After demob, that young man ‘got saved’ in a tiny meeting house and became a City Missionary in Belfast and then a lay-pastor in Newtownards, devoting his life to visiting the sick, serving the needy and rescuing ‘down and outs’. We didn't have a 'devil's silver screen' until I was in my teens and then my father was adamantly against watching TV on a Sunday. However, I do recall him making a single exception when wanted to see The Dambusters. He died on the job on November 12 1984 - the anniversary always falls on this armistice weekend. I salute his courage and conviction and the bravery of all those who didn’t come home.

Sadly, not all young men are heroes. A group of accountants and experts in things financial made the headlines this week. They work for the distinguished firm Price Waterhouse Cooper in Dublin and were described as ‘pricks with calculators’ for sending out an email which invited colleagues to ‘rate’ the new batch of female interns for ‘personal attractiveness’. They exchanged head shots of these girls which made the rounds of banks and law firms in Dublin then into the tabloids and, of course, onto the internet. The men in question have been suspended and the company has apologised. The beautiful, smart women are mostly mildly amused. I know because my daughter’s flatmate is one of them and she is staying here this weekend to escape the paparazzi. She has just started as a trainee accountant with PWC and can’t believe that her photograph has been splashed all over the newspapers just because she’s ‘hot’! She and my daughters went out in Belfast last night and people were introducing her as 'one of the top ten'. She is blonde and beautiful but she is also a clever, kind, sensitive young woman who devotes her spare time to working with underprivileged children in the inner city. How dare these ‘ejiits’ give her marks out of ten! There are some who believe that what guys like that need is a good war to make men of them!

I had an absolutely fabulous night this week at the Grand Opera House in Belfast. We were given tickets (thanks Big John) to see the Waterboys presenting An Appointment with Mr Yeats - a musical tribute to one of Ireland’s greatest poets. I had never heard the band before and I was transfixed! Mike Scott looks a bit like Bob Geldof and is a mesmerisingly theatrical performer who sang Yeats with passion, infusing old words with new life. I thought that I might be offended by this sacrilegious treatment of literary treasures but a song is simply poetry put to a tune and Mr Scott’s melodies are as haunting as the lines he lilts. I suppose it’s hard to imagine a Blues version of 'The Lake Isle of Innisfree' but it was so right and I can’t wait for the album in September 2011.

The musicians were equally magnificent and I particularly enjoyed the oboe player Ruby Ashley from the Irish Symphony and the RTE orchestras and the flamingo flautist, Sarah Allen, who stands on one leg when overcome by the power and beauty of the music. They performed a rendition of 'An Irish Airman Foresees his Death'. Like my father, the young man in the poem has left his village of Kiltartan Cross and his countrymen to meet his fate ‘somewhere in the clouds above’. He acknowledges that he is fighting those he does not hate and guarding those he does not love. It’s not duty that bids him fight, but the love of adventure – the desire to live a life of purpose, even if that leads to a premature demise. His greatest fear is not death, but the ‘waste of breath’.

It’s fashionable this year to wear a pimped poppy like the Swarovski limited edition brooch designed by Kleshna – a snip at £84.99 and sported by Dani Minogue et al on The X Factor. Celebrities are in danger of drawing attention to those doing the remembering rather than what they’re supposed to be remembering. I’m wearing the machine cut paper version with the plastic stem today, not simply to remind me not to forget but in celebration of life – my life and my children’s lives because young Robert lived, and also in hope of a future because of the peace he fought to achieve. Many young people have wasted time and talents. But not my dad.


I balanced all, brought all to mind
The years to come seemed waste of breath,
A waste of breath the years behind
In balance with this life, this death.
(WB Yeats)

Seedtime and harvest

The garden is soggy with wet leaves. It’s official; it’s autumn. I have been exploring Keats’ Ode to Autumn with Year 12. The pupils think he wrote the poem just to torture them, so I assured them that he was not compiling the syllabus for GCSE English Lit but simply screaming out in praise to the ‘season of mists and mellow fruitfulness’. I asked them to learn the first stanza because, whether you’re a banker or a builder, everyone should know these lines of soft consonants and long vowels.

A few weeks ago the man and I took a walk up the field beside the house to watch the huge yellow Holland harvester gobble up swathes of barley, remove the stalks from its teeth and spit the precious, golden seeds into a tall trailer. I climbed up the ladder and sifted the gentle grains through my fingers. I wanted to touch the natural process of seedtime and harvest that goes on around us, largely unheeded.

I love the rhythms of the land. Already those rejected stalks have been curled into bales which rolled slowly down the hill and were carted off. This week the field was ploughed up – long rivulets of warm soil dotted with greedy birds. The earth waiting and resting like the goddess in Keats’ poem ‘sitting careless on a granary floor’ or sound asleep on a half-reaped furrow ‘drowsed with the fume of poppies’. She is the personification of the season, conspiring with the ‘maturing sun’ and waiting patiently by the cider press ‘watching the last oozings hours by hours’.

A friend of mine went to New England in the fall. She and her husband were eager to witness the spectacular display of vibrant reds, ochres and oranges on the undressing trees. However, the seasons were reticent to change and they missed the show. They met an American woman and expressed their disappointment to her. A few weeks later, on a cold Irish morning when my friend’s husband was ill and the future looked bleak, she received a box in the post. It was from their brief acquaintance in the States and it was filled to the brim with colourful autumn leaves!

Autumn is in no hurry. She knows that although she has been stripped bare – of sheaves and leaves, life will return if she can only watch and wait. It’s the resting in the glow of fruit-bearing satisfaction, a hiatus before the time for seeds to bury themselves in the cold ground, invisible but germinating nonetheless. There is a hint of winter in the final lines of the poem when the ‘gathering swallows twitter in the skies’. However, as the sun sets over the ‘stubble-plains’ and the birds prepare to fly south, autumn sings her own songs.

It’s hard to keep singing when the summer’s over and winter looms. In this world of rush, it’s important to take time to do autumn – to give thanks and store up a harvest of praise which will see us through the dearth of winter. As the wise man said there is, ‘A time to plant and a time to uproot.’ And in between there is a time to wait.

I don’t enjoy waiting. I always join the queue that seems to be moving quicker to avoid the misery of standing still. I want to get to the front quickly to find the answers I need and move on. Ghandi said, ‘There is more to life than increasing its speed.’ Stillness is essential as a seedbed of creativity and growth. Sometimes life’s experiences need time to incubate before they can birth something new.

In my nostalgic longing for warmer days and my fear of winter chills, I don’t want to miss out on autumn’s silence.

‘Watching and waiting, looking above
Filled with his goodness, lost in his love.’

Facing Out

Yesterday, my colleague and I headed off to Dublin in a bus with fourteen A level pupils. We visited the WB Yeats exhibition at the National Library and then went to see Wayne Jordan’s production of The Plough and the Stars by Sean O’Casey in the Abbey Theatre.

As we sat in the auditorium I tried to imagine the scenes at the Abbey in February 1926 when the first production of the play was greeted by riots of a similar kind to those which had greeted Synge’s The Playboy of the Western World in 1907. Then it was the use of the word ‘shift’ on stage that did it but with O’Casey the objection was not moral but political.

The problem started in the second act. Incidentally, did you know that this was originally written as a one act play called The Cooing of Doves? It slotted right into the middle of the story of ‘little red-lipped Nora’ and her husband Jack Clitheroe, who in Act One is sulking because he ‘wasn’t made a captain of’. Act Two opens with the prostitute, Rosie Redmond, setting the scene in the public house. This was shocking enough but provoked nothing like the reaction caused when three men in uniform, Clitheroe (now promoted and in the thick of revolt), Langon and Brennan entered carrying the two flags of the combatant Irish forces: the tricolour of the National Volunteers and the plough-and-stars of the Irish Citizen Army. On the fourth night of the 1926 run there was present a large number of women closely associated with the men who had fought, died or been imprisoned in the 1916 rising. The sight of the flags sparked off massive resistance to what was perceived as an insult to the patriot dead. Women screamed and hurled shoes, they invaded the stage and were thrown into the orchestra, blows were exchanged and one young man swung on the curtain which was being hurriedly lowered. The pandemonium caused a panic among the audience, who dashed for the exits and added to the confusion.

In the days that followed, Yeats gave a public lecture at which he said that the rioters had ‘rocked the cradle of genius’. Just ten years after the Easter Rising, people believed that O’Casey had failed to honour the sacrifice of the Irish heroes. In the current run of the play the bar in Act Two cleverly doubles as the platform for the speaker addressing the crowds gathered on the streets of Dublin in the days leading up to the rising, usually presented as a silhouetted figure in the window. It is he who declares: ‘War is a terrible thing, but war is not an evil thing’ and that Ireland should welcome war as the ‘Angel of God’. Echoing the words of Pádriac Pearse, he justifies rebellion against the British: ‘Ireland, unfree, shall never be at peace.’

The play focuses not on the events in and around the GPO, but on the suffering of a group of people living in poverty in a dirty Dublin tenement. Jack rises to the call and dies an ignominious death, leaving his pregnant wife to grieve the loss of her husband and stillborn baby. In this, as in every conflict, it is the working-class poor who hope for the most and suffer the most. It is the socialist, Young Covey, who closely reflects O’Casey’s own views: ‘If they were fightin’ for anything worthwhile, I wouldn’t mind.’ For exposing the futility of the politicians’ pursuit of lofty ideals in indifference to the plight of the poor, O’Casey was lambasted as bringing a slur on the names of the martyrs. The Easter Rising was over before it had hardly begun and the quick executions of its leaders sowed the seeds of years of bloody conflict in Ireland.

I cannot think of the Easter Rising without remembering a chapter in my own life. I was the ghost writer for a church leader’s memoirs, Paul Reid of Christian Fellowship Church, Belfast. In 1993, the publisher gave it the title A New Easter Rising, rather pretentious I thought, given that the 1916 one didn’t go too well. Portentous, even, because although Paul’s story is a truthful account of his journey into faith and church leadership, CFC also failed to produce what it promised.

The book's origin was in an Easter gathering of churches north and south, Protestant and Catholic, at Mosney called 'Together for the Kingdom'. Great crowds, great worship, great preaching, great everything, apart that is from the amusements which were a health and safety nightmare! In his forward to Paul’s book Roger Forster called this cross-border, cross-community congregation an ‘historic conference’. The declared vision was to see ‘new churches springing up through the length and breadth of Ireland’. In that spirit of hope, Paul predicted that CFC would plant 400 churches in Ireland by 2010, not to mention one in Europe. Paul stuck his neck out in print and I was party to it and we were soon sorry. Paul has had an amazing ministry in Belfast and beyond but to date we have only one church plant in its infancy. Sadly, 'Together for the Kingdom' was also short-lived. In just a few years the event was cancelled amidst murmurings about 'pushy northerners' and cultural differences.

And the lesson? Don’t put your trust in the rallying calls of princes, politicians, or pastors! They cannot, in fact, see into the future and they are often wrong. The Church is not about what we can achieve or build but about facing out towards a hurting world. There has only been one successful Easter rising. On my desk sits a smoothly weathered granite stone from the majestic Matopos Hills in Zimbabwe. On it a friend has written:

He has risen! He is not here.

Into Narnia

It’s been a wet weekend – the kind of rain that’s ‘on for the day’ and makes gardening impossible. There was nothing for it but to tackle some of those inside jobs that have needed doing all summer. Fourteen years ago we packed much of our lives into boxes and headed off to Africa with what we could carry in our car encased inside a forty foot container. What remained was stored in our very own Narnia and some of the boxes haven't been opened since.

At the back of the closet set into the eaves in my son’s bedroom is a door leading into another small room above the front return of the house. It is a perfect place to put the stuff we don’t want anyone to see. It was wet weather that forced the Pevensie children to play hide and seek and led to Lucy’s first adventure through the wardrobe where she met Mr Tumnus and time stood still. As the rain drummed on the roof we ventured at last into the dark recesses to clear away the ‘pruck’.

It’s amazing what memories are released by forgotten treasures: old university files (I’m teaching The Tempest and thought I’d never read it until I found notes on it in my own fair hand!); a copy of Sex in the Real World which I wrote for the Presbyterian youth department; precious drawings penned by our own four at primary school; an entire community of Sylvanian families; a bedraggled owl which fell out of a tree, was resurrected by a taxidermist and then mauled by our puppy; books and books and books and a menagerie of stuffed toys.

I found a tiny pair of red Dunlop wellington boots which I know Joshua wore as a toddler but which didn’t originally belong to him. I can remember it so well. It was 1975. I had gone to a university pre-term weekend in Portrush and the day I was due to leave was also the first anniversary of my romance with ‘little blue Richard’. I looked out of the first floor window of the boarding house where we were staying and there he was leaning out of the car window holding aloft a life size model of Paddington bear wearing a yellow hat, blue duffel coat and, yes, red wellies! In a big box at the back I found poor Paddington, rather the worse for wear and neglect, and he was reunited with his boots.

As for letters and photos and papers and cards! I came across a shoebox containing faded pieces of paper. Among them was the only surviving copy of the constitution of the Spinsters’ Union, convened in the library of Regent House School during a sixth form ‘study period’ when a group of us had no boyfriends. It is hilarious, advocates moderation in all things and eschewing the ‘gross moral turpitude of marital relations’. Club members were not allowed to be seen conversing with the opposite sex without a chaperone and we pledged to wear only skirts that ‘rendered the knees invisible’. I was the president and there were three named members. The document details the misdemeanours of one Pearl Clarke (Miss) whose membership had been withdrawn for yielding to temptation. Of course, in the years that followed, we all embraced marriage as soon as we were asked – one member twice!

Another card that raised a smile contained a poem written by a friend which chronicled an incident that took place a few years into my own marriage. We were holidaying in a caravan in Donegal with two infants and to while away an evening we resorted to playing cards. What happened next went down in history, as the boy who managed to fail A level Geography because he was honing his poker skills at the back of the classroom faced total humiliation.

There was a young couple from Ards
Who fancied a quick game of cards
‘Oh honey,’ she cried,
‘Let’s play some rummy,
And we’ll have a bet on the side.

He said, ‘I’m no choker – let’s play some poker
Where the loser takes off his clothes.
He was so smug, ’cause he thought, ‘She’s a mug,’
So they dealt the first hand fully clothed.

He first lost his shoes, his socks and his sweater,
Next came his shirt and it didn’t get better,
She lost not a hand to the guy from the band,
As her clubs and diamonds they blended
Till he sat there naked as God intended.

If there’s a moral to this saucy tale
Due to desires between male and female,
Don’t play cards with one who’s a prude,
Cause it’ll be a waste of time if you end up in the nude!

I always find that newspapers are much more interesting when they’re spread out on the floor about to be scrunched to set the fire. So it is with the past. It’s been slow going in Narnia as time has stood still and the debris of my life has been strewn at my feet. I have laughed and wept at the years that are gone and wondered what the young woman I was would make of the person I have become. The past probably wasn't as much fun as I remember and the future will look different from what I expect when I get there. Now is all I have. Sue Monk Kidd says that, 'Time isn't a straight line along which we travel, but a deep dot in which we dwell.' Like the children who first discovered Narnia I too want to go ‘further up and further in’.

‘This is your life. Are you who you wanna be?’ Switchfoot